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Rachel harrison consider the lobster and other essays
appetite for popular culture, is its foundation. All her work encourages such free association, demands it really, and subtly directs. "The Shape We're In". The range of her art-historical reference is wide: Donald Judd and David Smith, Helen Frankenthaler and Eva Hesse, Adrian Piper and Gordon Matta-Clark, Paul McCarthy, Cady Noland, Haim Steinbach,. Its a portrait of a marriage, some kind of mutant union of the willing. As has her abiding interest in letting a whole world of references in, and in bending established conceptual frameworks to new and contemporary ends. 6 She has also taught in the art departments of Yale University, essay on clothing in the past and present Cooper Union, and Bard College. What are these sculptures documenting? The installation Marilyn With Wall (2004) has two basic components: a photograph of Monroe and an upright stack of sheet-rock fragments on which it is hung.
Retrieved "Hans Haacke with Sculpture". Rachel Harrison: Currents. In this town, the metal wall studs ringing the gallery space must read as a summoning of a hallowed gesture of institutional critique: Michael Ashers 2008 exhibition at the Santa Monica Museum of Art. Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010. Guggenheim Museum, Retrieved "Whitney Museum of American Art: Rachel Harrison", Whitney Museum of American Art, Retrieved "Rachel Harrison Untitled", The Metropolitan Museum of Art, Retrieved "The Collection Rachel Harrison", Museum of Modern Art, Retrieved "Rachel Harrison moca". Carefully placed on top of the frame is a cigar labeled La Gloria Cubana,. Her work was included in the 50th and 53rd Venice Biennale and the 2008 Whitney Biennial. Recent solo exhibitions include Who Gave You This Number?, NYU Institute of Fine Arts, New York; Fake Titel, kestnergesellschaft, Hannover, Germany; Consider the Lobster, Center for Curatorial Studies, Hessel Museum Bard College, New York; haycation, Portikus, Frankfurt am Main, Germany and Conquest of the Useless. Dodge, a filmmaker and writer, most closely follows suit, with a salon-style mash-up of 60 pieces grouped in thematic categories like Extrude: Caves, Tunnels and Testicles and Transubstantiation/Into Light, by artists ranging from the hard-to-avoid (Richard Serra, Christopher Wool) to the where-have-they-been (Louisa Chase, Ronnie. A small carved head of an American Indian stares at a snapshot of a sunset set on a little easel. Harrisons coy reference to the Cuban Missile Crisis.
CCS Bard rachel harrison: consider THE lobster Rachel Harrison s Consider the Lobster - Announcements - e-flux Rachel Harrison Considers the Lobster - Art F City Rachel harrison consider the lobster and other essays - essays At the Hessel Museum at Bard: A Glamorous Mess - The New York